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Hírforrások
TV Commercial Ad › Advertolog - Advertising & Commercials
  • TV & Cinema: Kyle Rudolph vs. A Tire

    Client: Land O’Lakes
    Client location: Minneapolis, MN
    Topic: Land O’Lakes Farm Bowl
    Medium(s): Paid Social, Online Video, and National Broadcast
    Ad Name(s): Land O’Lakes Teasers
    Chief Marketing Officer: Tim Scott
    Vice President, Integrated Marketing: Maureen Brener
    Director, Integrated Marketing: Gabriela Bonadonna
    Marketing Manager, Integrated Marketing: Kristin Bohan

    Agency: GMR Agency
    VP, Client Development: Dave Mullins
    SVP, Client Consulting + Services: Ann Janikowsky
    Account Director, Client Consulting + Services: Corrie Risher
    VP of Content & Production: Andy Hayman
    Executive Producer: Chad Diedrick


    Agency: TMA Agency
    Group Creative Director: Andy Azula
    SVP, Creative Director: Anne Marie Hite
    Senior Copy Writer: Lassiter Stone
    Art Director: Rushil Nadkarni
    Associate Producer: Coleman Sweeney
    Business Affairs Supervisor: Alice Isner
    Financial Affairs Manager: Elizabeth Moore
    SVP, Group Account Director: Walker Teele
    Account Supervisor: Sarah T. Smith

    Production Company: GMR Studios
    Director: Stephen Palgon
    Director of Photography: Enrique Mendoza
    Executive Producer: Andy Hayman
    Senior Producer: Chad Diedrick
    Line Producer: Chris Weger

    Editorial Company: GMR Studios
    Editor: Chris Sladek, Curt Riedy
    Assistant Editor: Robert Brown
    Editorial Producer: Sean Quinn

    VFX, Finishing, and Color
    Colorist: Chris Sladek
    Finishing Producer: Enrique Mendoza
    Finishing Production Coordinator: Chris Weger
    Color Producer: Enrique Mendoza
    Remote Color Facility: GMR Studios

    Audio Post Facility: GMR Studios
    Producer: Sean Quinn
    Sound Designer and Mixer: Rory Peach

    Stock Music - yes
    Published: January 2018
    Synopsis:
    Land O’Lakes has worked with a number of marketing agencies to launch the Farm Bowl including The Martin Agency, GMR Marketing and Weber Shandwick. Bringing the program to life are five :15 second spots featuring three of the players who will take part in the Farm Bowl, Kyle Rudolph, Greg Jennings and Jason Brown alongside real Land O’Lakes member farmers. In the videos, which were shot on a real Land O’Lakes farm in St. Cloud, Minnesota, the players take part in modern farming challenges, which includes flying drones. Below is a link to two of the videos that were created, featuring Kyle Rudolph and Jason Brown.



  • TV & Cinema: This Call’s For You

    Client: Northwestern Mutual
    Agency: GSD&M
    Chief Creative Officer: Jay Russell
    Group Creative Directors: Jeff Maki, Tom Gilmore
    Creative Director/Art Director: Nikki Baker
    Creative Director/ Writer: Leslie Shaffer
    Director of Production: Jack Epsteen
    Senior Producer: Becky Carrel
    Account Leadership: Sabia Siddiqi, Lauren Paver, Katherine LaViscount
    Strategy: Michael Dezso
    Business Affairs Manager: Lara Drew
    Project Manager: Sara Rosales
    Production Company: MJZ
    Director: Hoffman/Metoyer
    Editor: Cut + Run/ Jay Nelson
    Photographer: Roger Snider
    Published: January 2018
    Synopsis:
    The campaign, entitled “Spend Your Life Living,” kicked off with four TV spots that tap into consumer insights to reframe people’s idea of planning for their financial futures, and help them feel empowered to make the most of enjoying life every single day. Because the stresses between living for now and saving for later is universal for people regardless of demographics.



  • TV & Cinema: Jason Brown vs. A Drone

    Client: Land O’Lakes
    Client location: Minneapolis, MN
    Topic: Land O’Lakes Farm Bowl
    Medium(s): Paid Social, Online Video, and National Broadcast
    Ad Name(s): Land O’Lakes Teasers
    Chief Marketing Officer: Tim Scott
    Vice President, Integrated Marketing: Maureen Brener
    Director, Integrated Marketing: Gabriela Bonadonna
    Marketing Manager, Integrated Marketing: Kristin Bohan

    Agency: GMR Agency
    VP, Client Development: Dave Mullins
    SVP, Client Consulting + Services: Ann Janikowsky
    Account Director, Client Consulting + Services: Corrie Risher
    VP of Content & Production: Andy Hayman
    Executive Producer: Chad Diedrick


    Agency: TMA Agency
    Group Creative Director: Andy Azula
    SVP, Creative Director: Anne Marie Hite
    Senior Copy Writer: Lassiter Stone
    Art Director: Rushil Nadkarni
    Associate Producer: Coleman Sweeney
    Business Affairs Supervisor: Alice Isner
    Financial Affairs Manager: Elizabeth Moore
    SVP, Group Account Director: Walker Teele
    Account Supervisor: Sarah T. Smith

    Production Company: GMR Studios
    Director: Stephen Palgon
    Director of Photography: Enrique Mendoza
    Executive Producer: Andy Hayman
    Senior Producer: Chad Diedrick
    Line Producer: Chris Weger

    Editorial Company: GMR Studios
    Editor: Chris Sladek, Curt Riedy
    Assistant Editor: Robert Brown
    Editorial Producer: Sean Quinn

    VFX, Finishing, and Color
    Colorist: Chris Sladek
    Finishing Producer: Enrique Mendoza
    Finishing Production Coordinator: Chris Weger
    Color Producer: Enrique Mendoza
    Remote Color Facility: GMR Studios

    Audio Post Facility: GMR Studios
    Producer: Sean Quinn
    Sound Designer and Mixer: Rory Peach

    Stock Music - yes
    Published: January 2018
    Synopsis:
    Land O’Lakes has worked with a number of marketing agencies to launch the Farm Bowl including The Martin Agency, GMR Marketing and Weber Shandwick. Bringing the program to life are five :15 second spots featuring three of the players who will take part in the Farm Bowl, Kyle Rudolph, Greg Jennings and Jason Brown alongside real Land O’Lakes member farmers. In the videos, which were shot on a real Land O’Lakes farm in St. Cloud, Minnesota, the players take part in modern farming challenges, which includes flying drones. Below is a link to two of the videos that were created, featuring Kyle Rudolph and Jason Brown.



  • TV & Cinema: Ocean

    Client: Northwestern Mutual
    Agency: GSD&M
    Chief Creative Officer: Jay Russell
    Group Creative Directors: Jeff Maki, Tom Gilmore
    Creative Director/Art Director: Nikki Baker
    Creative Director/ Writer: Leslie Shaffer
    Director of Production: Jack Epsteen
    Senior Producer: Becky Carrel
    Account Leadership: Sabia Siddiqi, Lauren Paver, Katherine LaViscount
    Strategy: Michael Dezso
    Business Affairs Manager: Lara Drew
    Project Manager: Sara Rosales
    Production Company: MJZ
    Director: Hoffman/Metoyer
    Editor: Cut + Run/ Jay Nelson
    Photographer: Roger Snider
    Published: January 2018
    Synopsis:
    The campaign, entitled “Spend Your Life Living,” kicked off with four TV spots that tap into consumer insights to reframe people’s idea of planning for their financial futures, and help them feel empowered to make the most of enjoying life every single day. Because the stresses between living for now and saving for later is universal for people regardless of demographics.



  • TV & Cinema: Trophy

    Client: Land O’Lakes
    Client location: Minneapolis, MN
    Topic: Land O’Lakes Farm Bowl
    First Run Date: 7/24/2017 (but again on 1/4/2018)
    Medium(s): Paid Social and Local Broadcast
    Ad Name(s): Land O’Lakes Trophy Video

    Chief Marketing Officer: Tim Scott
    Vice President, Integrated Marketing: Maureen Brener
    Director, Integrated Marketing: Gabriela Bonadonna
    Marketing Manager, Integrated Marketing: Kristin Bohan

    Agency: TMA Agency
    Group Creative Director: Andy Azula
    SVP, Creative Director: Anne Marie Hite
    Senior Copy Writer: Lassiter Stone
    Art Director: Rushil Nadkarni
    Associate Broadcast Producer: Coleman Sweeney
    Business Affairs Supervisor: Alice Isner
    Financial Affairs Manager: Elizabeth Moore
    SVP, Group Account Director: Walker Teele
    Account Supervisor: Sarah T. Smith

    Editorial Company: Running With Scissors
    Editor: Danny Reidy
    Editorial Producer: DeeDee Ray

    Production Company: Martin Content Studio
    Director of Photography: Justin Ihara
    Production Assistant: Steven Reese
    Executive Producer: Angie Leaf
    Post-Production Company: Running With Scissors

    Audio Post Facility: Rainmaker
    Producer: Kristin O’Conner
    Engineer: Mike O’Conner
    Music: APM
    Published: January 2018
    Synopsis:
    The Martin Agency has created a short :30 second video to show the creation of the Farm Bowl trophy that will be handed to the winning team on Thursday, Feb.1 at the Farm Bowl in Minneapolis. The trophy, which merges two of Minnesota’s greatest exports, football and agriculture, is made 100% from materials that were sourced in Minnesota, with Greg Jennings stating it’s twice as heavy as the ‘big trophy.’ You can view the :30 second spot below in a video that previews The Farm Bowl’s exciting blend of football and agriculture alongside that super heavy trophy.



  • TV & Cinema: Fish Out of Water

    Client: Northwestern Mutual
    Agency: GSD&M
    Chief Creative Officer: Jay Russell
    Group Creative Directors: Jeff Maki, Tom Gilmore
    Creative Director/Art Director: Nikki Baker
    Creative Director/ Writer: Leslie Shaffer
    Director of Production: Jack Epsteen
    Senior Producer: Becky Carrel
    Account Leadership: Sabia Siddiqi, Lauren Paver, Katherine LaViscount
    Strategy: Michael Dezso
    Business Affairs Manager: Lara Drew
    Project Manager: Sara Rosales
    Production Company: MJZ
    Director: Hoffman/Metoyer
    Editor: Cut + Run/ Jay Nelson
    Photographer: Roger Snider
    Published: January 2018
    Synopsis:
    The campaign, entitled “Spend Your Life Living,” kicked off with four TV spots that tap into consumer insights to reframe people’s idea of planning for their financial futures, and help them feel empowered to make the most of enjoying life every single day. Because the stresses between living for now and saving for later is universal for people regardless of demographics.



  • TV & Cinema: Backyard Bliss

    Client: Northwestern Mutual
    Agency: GSD&M
    Chief Creative Officer: Jay Russell
    Group Creative Directors: Jeff Maki, Tom Gilmore
    Creative Director/Art Director: Nikki Baker
    Creative Director/ Writer: Leslie Shaffer
    Director of Production: Jack Epsteen
    Senior Producer: Becky Carrel
    Account Leadership: Sabia Siddiqi, Lauren Paver, Katherine LaViscount
    Strategy: Michael Dezso
    Business Affairs Manager: Lara Drew
    Project Manager: Sara Rosales
    Production Company: MJZ
    Director: Hoffman/Metoyer
    Editor: Cut + Run/ Jay Nelson
    Photographer: Roger Snider
    Published: January 2018
    Synopsis:
    The campaign, entitled “Spend Your Life Living,” kicked off with four TV spots that tap into consumer insights to reframe people’s idea of planning for their financial futures, and help them feel empowered to make the most of enjoying life every single day. Because the stresses between living for now and saving for later is universal for people regardless of demographics.



  • TV & Cinema: The Open Letter

    Category: Hospitality, Tourism
    Media: Digital
    Brand: Visit Stockholm
    Agency: Volontaire
    Geo: Sweden
    Advertising Agency: Volontaire, Stockholm, Sweden
    Creative Director: Rasmus Nilsson
    Art Director: Lukas Lima
    Copywriter: Elisabet Fischer
    PR: Samuel Skwarski
    Production: Team Tony
    Account Director: Klaus Hahn
    Host, Producer: Lina Edenfelt
    Published: January 2018
    Synopsis:
    The film shows visitors to Stockholm, live casted, as they pose for the camera on different scenic locations across the Swedish capital city. It includes families from the middle east, asia, teenage punks, skaters, climbers, people in wheelchairs and a priest, among others.



  • TV & Cinema: Mona Lisa

    Category: Financial Services
    Client: Capital One
    Brand: Capital One
    Media: TV
    Country: USA
    Advertising Agency: Ddb Chicago, Usa
    Director: Tom Hooper
    Editor: Angelo Valencia/ Beast
    Date: January, 2018
    Synopsis:
    Card Lock from Capital One. Instantly lock your credit card. In case your card goes arrivederci. Technology this convenient could make history.



  • TV & Cinema: Louisiana

    Category: Financial Services
    Client: Capital One
    Brand: Capital One
    Media: TV
    Country: USA
    Advertising Agency: Ddb Chicago, Usa
    Director: Tom Hooper
    Editor: Angelo Valencia/ Beast
    Date: January, 2018
    Synopsis:
    Instant Purchase Notifications from Capital One. So you won’t miss a purchase large, small…or very large. Technology this convenient could make history.



  • TV & Cinema: Piggy

    Category: Finance
    Media: Film
    Brand: Santander
    Agency: Arnold
    Geo: United States
    Advertising Agency: Arnold Worldwide, Boston, USA
    Executive Creative Director / Copywriter: James Bray
    Creative Director, Art: Sam Mullins
    Creative Director, Copy: Justin Galvin
    Producers: Spring Clinton, Emily LaPierre
    Planner: Ed Castillo
    Marketing: Angela Herbst, Erika Gammon, Stephanie Barnes
    Project Management: Tina Meade, Priscilla Patterson
    Business Affairs: Jamie-Lyn Gaudet
    VFX: Framestore
    Executive Producer, Head of Advertising: Helen Hughes
    Senior VFX Producer: Josh King
    Line Producer: Lara Marshall
    On Set Supervisor (LA): Alex Thomas
    Visual Effects Supervisor, CG Lead: Tim Jenkinson
    Visual Effects Supervisor, Compositing Lead: Chris Redding
    Animation Supervisor: Osman Gani
    Head of CG: Grant Walker
    Concept Artists: Nikola Yordanov, David Lockhead
    Lead Modeller: Paola Santoro
    Modelling: Joel Best, Omar Jason
    Texturing: Judit Somogyvari
    Rigging: Andy Butler
    Colorist: Steffan Perry
    Creative Director, Animation: Ross Burgess
    Animators: James Brown, Felice Minieri
    Groom: Gabriela Ruch Salmeron
    FX, Lighting: Rafael Rey Camacho
    Lighting: Mathias Cadyck, Sebastian Mayer
    Compositors: Sam Meisels, Mike Simons, Kane Herd, Pawasut Chatmaleerat
    Paint & Roto: Hasan Khan, Jonathan Williams
    Production Company: Rattling Stick
    Executive Producers: Joe Biggins, Jeff Shupe
    Producer: Johnnie Frankel
    Director: Daniel Kleinman
    First Assistant Director: Jack Fitch
    DoP: Toby Irwin
    Editorial Company: Whitehouse Post
    Producer: Jennifer Mersis
    Editor: Rick Lawley
    Sound Design: 740
    Lead Sound Designer: Chris Pinkston
    Sound Designer: Josh Reinhardt
    Executive Producer: Scott Ganary
    Music: 'Home' / Written by Simon Steadman and Charlton Pettus
    Vocal Arrangement: Future Perfect
    Published: January 2018
    Synopsis:
    The :60 anthem spot, “Piggy,” tells the story of a lost (and animated) piggy that is taken care of and returned to its owner by a Santander employee who understands respect is a currency that will go a long way.
    It opens with a little girl and her father posting “Lost” signs around their neighborhood. We soon find the small pig wandering around the city overwhelmed by the lumbering trucks, towering buildings and curious pedestrians. A group of young boys comes across the little guy and upon picking him up, they hear change rattle inside. Perplexed and curious, they shake the pig harder. This raucous causes a banker, inside a nearby Santander branch, to take notice. He runs out to the aid of the little pig causing the boys to drop him and scatter. Unexpectedly, when the pig impacts the ground, it shatters into pieces sending coins all over the sidewalk. The banker scoops up the broken pig, brings it home and begins gluing it back together. As he puts the final piece on, it comes back to life. He then cleans him up, puts the change back in him and takes him for a walk. This is when the banker comes across the “Lost” sign, and realizes that his new little friend actually belongs to someone else. The feel-good story closes with the banker returning the rehabilitated pet piggy bank back to the little girl. A narrator punctuates the end, “At Santander Bank, we want you to prosper. That’s why we treat you and your money just like you would – with respect. And respect adds up.”



  • TV & Cinema: Jack Squat

    Category: Finance
    Media: Film
    Brand: Santander
    Agency: Arnold
    Geo: United States
    Advertising Agency: Arnold Worldwide, Boston, USA
    Executive Creative Director / Copywriter: James Bray
    Creative Director, Art: Sam Mullins
    Creative Director, Copy: Justin Galvin
    Producers: Spring Clinton, Emily LaPierre
    Planner: Ed Castillo
    Marketing: Angela Herbst, Erika Gammon, Stephanie Barnes
    Project Management: Tina Meade, Priscilla Patterson
    Business Affairs: Jamie-Lyn Gaudet
    Production Company: Hungry Man
    Executive Producers: Kevin Byrne, Mino Jarjoura, Dan Duffy, Jacki Sextro, Caleb Dewart
    Line Producer: Caleb Dewart
    First Assistant Director: Mike Curtis
    DoP: John Lindley
    Editorial Company: Hutch Co.
    Executive Producer: Jane Hutchins
    Editor: Jim Hutchins
    VFX: Brickyard
    Executive Producer: Amy Appleton
    Flame Artist: Dave Waller
    Color Company: CO3
    Colorist: Tim Massig
    Music: Bacon Street Studios
    Mix / Sound Design: Mike Secher / Soundtrack
    Published/Released: January 2018
    Synopsis:
    One of a bank’s most important responsibilities is to protect and grow its customers’ assets. The trust between a customer and a bank is paramount, and demonstrating a respectful approach is key to building the relationship. Boston-based Santander, one of the country’s top retail and commercial banks with over 650 branches principally located in the Northeast and serving more than 2.1 million customers, is bringing respect back to banking and reaffirming its customer promise in a new integrated campaign, “Respect Adds Up.” Santander understands that respect is critical in every customer interaction, product, and service, and the campaign depicts just that.



  • TV & Cinema: TOTAL WAR: Three Kingdoms

    Client: Creative Assembly/ Sega Europe

    Executive Producer: Piotr Prokop
    Production manager: Justyna Ołtarzewska
    Director: Jakub Jablonski
    CG Supervisor: Mateusz Tokarz
    Art. Director: Jakub Jablonski
    Animation Director: Tomasz Grenda
    Art: Lisowski Michal/ Bajowski Damian

    Lead Assets Artist: Szymon Kaszuba
    Character Artist: Amelia Baj/ Pawel Brudniak/ Tudot Fat/ Adamiak Filip/ Alexandru Halcescu/ Sebastian Lautsch/ Strzep Agnieszka/ Artur Tarnowski/ Klaudiusz Wesolowski/ Maciej Zatwarnicki/ Izabela Zelmanska

    Lead Previs Artist: Dominik Wawrzyniak
    Previs Artist: Jan Sojka/ Grzegorz Mazur/ Michal Kaleniecki

    Lead Animator: Ellert Andrzej
    Animator: Andrzejewski Blazej/ Krzysztof Falinski/ Bartosz Jerczynski/ Tomasz Grenda/ Olga Szablewicz-Pisuk/ Katarzyna Olszewska/ Natalia Vega/ Patryk Latos/ Gruca Dominik/ Vesna Ostojic
    Lead Crowds: Piotr Zyla
    Crowds TD: Borkowski Artur
    Lead FX artist: Michal Firek/ Michal Gradziel/ Dominik Dziubalski/ Krzysztof Jachura
    Lead Lighting Artist: Przemyslaw Patyk
    Lighting Artist: Michal Pancerz/ Michal Witek/ Szymon Kuriata
    Lead Compositing Artist: Tomasz Suwalski/ Lukasz Przybytek/ Dmytro Kolisnyk/ Mateusz Weglarz/ Szymon Slowikowski/ Klonowski Karol
    Mattepaint: Adam Tredowski/ Maciej Biniek
    Lead Set dress: Arkadiusz Piwiec
    Set dres: Marcin Stepien/ Mariusz Zastawny/ Kudera Robert/ Michal Rudkowski
    Character TD: Przybylski Bartłomiej/ Ciesielski Maciej/ Robert Chrzanowski/ Wojciech Jastrzebski/ Nathan De Pascale/ Olga Bienko
    Hair Groomer: Miroslaw Paczkowski/ Grzegorz Jankowski
    Character FX Artist: Kacper Zulinski/ Oleksandr Gorodyskyi/ Bartosz Miars
    Generalist: Murzyn Kamil
    Lead Look dev Artist: Bartosz Skrzypiec/ Piotr Nowacki/ Patrycja Domanska/ Zaneta Szabat/ Sebastian Deredas/ Piotr Orlinski/ Grzegorz Flaga
    Shot Look Dev Artist: Mateusz Sroka/ Agata Waclawiak-Paczkowska/ Pawel Szklarski
    Production Coordinator: Karolina Koszewska/ Klaudia Sordyl/ Marina Borokhova/ Marcin Kurowski


    STYLIZED SEQUENCE
    CG Supervisor: Pohl Kamil
    Production manager: Sylwia Bujno

    Art: Przybys Grzegorz/ Maciej Rebisz
    Compositing Artist: Sadowy Rafal/ Michal Beres/ Lukasz Grzelak/ Sergii Kostyshyn

    Motion Capture Producer: Urszula Luczak
    Motion Capture Junior Producer: Marina Borokhova

    Motion Capture TD: Grzegorz Mazur
    Motion Capture cleaning: Szymkuc Aleksander
    Motion Capture Stunt: Maciej Kwiatkowski/ Marcin Kurowski/ Slawomir Kurek

    Storyboard: Wyszynski Andrzej
    Storyboard: Piechnik Pawel

    Treatment: Kuczmierczyk Szymon

    Head of CG: Michal Skrzypiec
    Head of CG: Mateusz Tokarz

    Grading: Sasim Piotr
    Online: Popielawski Piotr/ Mariusz Seliga

    Conforming: Michal Wlasiuk

    Final AV conversion: Maciej Zak
    Final AV conversion: Maciej Niemirski
    Final AV conversion : Piotr Janisiewicz

    Lead Render Wrangler: Rafał Wojcikowski
    Render Wranglers Kamil Boryczko/ Lukasz Derda/ Marcin Jozwiak

    CTO :Tomek Kruszona
    Head of IT: Piotr Getka
    IT: Lukasz Olejniczak/ Krzysztof Konig

    Special thanks
    Michal Skrzypiec
    Bartosz Skrzypiec

    Synopsis:
    Platige Image has released initial cinematic for upcoming strategy game Total War: Three Kingdoms, which takes the historical series to 190 CE China and focus on the Three Kingdoms period.
    Total War: Three Kingdoms is the next major historical strategy game in the award-winning Total War series by Creative Assembly and Sega Europe.

    "Three heroes, sworn to brotherhood in the face of tyranny, rally support for the trials ahead. Scenting opportunity, warlords from China’s great families follow suit, forming a fragile coalition in a bid to challenge Dong Zhuo’s remorseless rule. Will they triumph against the tyrant, or will personal ambition shatter their already crumbling alliance and drive them to supremacy?
    The crucible fizzes. Allegiances shift. The fires of conflict stoke opportunity. Only one thing is certain: the very future of China will be shaped by its champions".



  • TV & Cinema: Pole

    Category: Finance
    Media: Film
    Brand: Santander
    Agency: Arnold
    Geo: United States
    Advertising Agency: Arnold Worldwide, Boston, USA
    Executive Creative Director / Copywriter: James Bray
    Creative Director, Art: Sam Mullins
    Creative Director, Copy: Justin Galvin
    Producers: Spring Clinton, Emily LaPierre
    Planner: Ed Castillo
    Marketing: Angela Herbst, Erika Gammon, Stephanie Barnes
    Project Management: Tina Meade, Priscilla Patterson
    Business Affairs: Jamie-Lyn Gaudet
    Production Company: Hungry Man
    Executive Producers: Kevin Byrne, Mino Jarjoura, Dan Duffy, Jacki Sextro, Caleb Dewart
    Line Producer: Caleb Dewart
    First Assistant Director: Mike Curtis
    DoP: John Lindley
    Editorial Company: Hutch Co.
    Executive Producer: Jane Hutchins
    Editor: Jim Hutchins
    VFX: Brickyard
    Executive Producer: Amy Appleton
    Flame Artist: Dave Waller
    Color Company: CO3
    Colorist: Tim Massig
    Music: Bacon Street Studios
    Mix / Sound Design: Mike Secher / Soundtrack
    Published/Released: January 2018
    Synopsis:
    A series of online videos that uses a tongue-in-cheek approach to address the customer promise that has been somewhat forgotten, but that Santander is committed to. For instance, in one video a man is meeting his friend for a game of squash. As he enters the court, he awkwardly drags a large metal object in with him. His friend questions him about it, and he proudly answers that it’s a pole that he got from his bank. “You got that from your bank?” his friend asks. Again, the man says yes. “Gus, I think you got the shaft.” Suddenly, Gus realizes that his gift from the bank isn’t as great as he thought, and asks, “Have you ever gotten the shaft?” His friend says no and goes on to explain that Santander Bank gave him Instant Card Hold, “If I misplace my card, I can use my app to put it on hold.” The video ends with the thought, “We give you and your money respect, not surprises. And at Santander Bank, respect adds up.”





  • TV & Cinema: The Power of Optimism

    Campaign Title: Power of Optimism
    Client: Life Is Good
    Senior Brand Director: Joanne Fletcher
    Creative Agency: The Garden
    Creative Director: Shane Ogilvie
    Strategy Director: Shari Walczak
    Strategist: Sarah Phillips
    Art Director: Rosalinda Graziano
    Copywriters: Erin Beaupre
    Project Cultivator: Mike Kovacs
    Design Director: Omar Morson
    Producer: Mike Kovacs
    Technology Partner: Thinkingbox
    Production: Andy Wadsworth, Christine Clark, Al Gayle
    Director of Photography: Darrin Klimek
    Editor: Brett Erina
    Audio House: Grayson Matthews
    Published: January 2018
    Synopsis:
    The EEG-powered machine harnesses the power of positive thoughts to fill a glass of water.
    Lifestyle apparel company Life is Good has brought the power of positivity to life in an incredibly engaging way.
    Whether a glass is half full or half empty depends largely on a person’s perspective: are they looking at it through a positive or negative lens? Life is Good’s new Power of Optimism Machine uses electroencephalography (EEG) technology to literally demonstrate the power of positive thinking right before people’s eyes.
    By either thinking of things that make them happy, or viewing a screen showing the brand’s uplifting artwork and phrases, users can literally fill a glass with water using only the power of positive thoughts.
    Joanne Fletcher, senior brand director of Life is Good Canada, says the goal is to inspire people to focus on the good all around them and live with an eye toward positivity.



  • TV & Cinema: Fleece

    Category: Finance
    Media: Film
    Brand: Santander
    Agency: Arnold
    Geo: United States
    Advertising Agency: Arnold Worldwide, Boston, USA
    Executive Creative Director / Copywriter: James Bray
    Creative Director, Art: Sam Mullins
    Creative Director, Copy: Justin Galvin
    Producers: Spring Clinton, Emily LaPierre
    Planner: Ed Castillo
    Marketing: Angela Herbst, Erika Gammon, Stephanie Barnes
    Project Management: Tina Meade, Priscilla Patterson
    Business Affairs: Jamie-Lyn Gaudet
    Production Company: Hungry Man
    Executive Producers: Kevin Byrne, Mino Jarjoura, Dan Duffy, Jacki Sextro, Caleb Dewart
    Line Producer: Caleb Dewart
    First Assistant Director: Mike Curtis
    DoP: John Lindley
    Editorial Company: Hutch Co.
    Executive Producer: Jane Hutchins
    Editor: Jim Hutchins
    VFX: Brickyard
    Executive Producer: Amy Appleton
    Flame Artist: Dave Waller
    Color Company: CO3
    Colorist: Tim Massig
    Music: Bacon Street Studios
    Mix / Sound Design: Mike Secher / Soundtrack
    Published/Released: January 2018
    Synopsis:
    One of a bank’s most important responsibilities is to protect and grow its customers’ assets. The trust between a customer and a bank is paramount, and demonstrating a respectful approach is key to building the relationship. Boston-based Santander, one of the country’s top retail and commercial banks with over 650 branches principally located in the Northeast and serving more than 2.1 million customers, is bringing respect back to banking and reaffirming its customer promise in a new integrated campaign, “Respect Adds Up.” Santander understands that respect is critical in every customer interaction, product, and service, and the campaign depicts just that.
    “Respect Adds Up” launches with “Piggy,” a brand-differentiating :60 story, created in partnership with global creative studio Framestore, featuring a family’s pet pig that has gone missing. It opens with a little girl and her father posting “Lost” signs around their neighborhood. We soon find the small pig wandering around the city overwhelmed by the lumbering trucks, towering buildings and curious pedestrians. A group of young boys comes across the little guy and upon picking him up, they hear change rattle inside. Perplexed and curious, they shake the pig harder. This raucous causes a banker, inside a nearby Santander branch, to take notice. He runs out to the aid of the little pig causing the boys to drop him and scatter. Unexpectedly, when the pig impacts the ground, it shatters into pieces sending coins all over the sidewalk. The banker scoops up the broken pig, brings it home and begins gluing it back together. As he puts the final piece on, it comes back to life. He then cleans him up, puts the change back in him and takes him for a walk. This is when the banker comes across the “Lost” sign, and realizes that his new little friend actually belongs to someone else. The feel-good story closes with the banker returning the rehabilitated pet piggy bank back to the little girl. A narrator punctuates the end, “At Santander Bank, we want you to prosper. That’s why we treat you and your money just like you would – with respect. And respect adds up.”
    The campaign will be supported on Santander’s social channels, as well as featuring OOH, radio and digital ads. Within this mix will be a second, product-based campaign that touts proof-points that demonstrate how Santander shows respect for its customers, their time and their money like easy-to-use mobile banking options and simple checking account features that waive the Monthly Fee.
    This secondary campaign includes a series of online videos that uses a tongue-in-cheek approach to address the customer promise that has been somewhat forgotten, but that Santander is committed to. For instance, in one video a man is meeting his friend for a game of squash. As he enters the court, he awkwardly drags a large metal object in with him. His friend questions him about it, and he proudly answers that it’s a pole that he got from his bank. “You got that from your bank?” his friend asks. Again, the man says yes. “Gus, I think you got the shaft.” Suddenly, Gus realizes that his gift from the bank isn’t as great as he thought, and asks, “Have you ever gotten the shaft?” His friend says no and goes on to explain that Santander Bank gave him Instant Card Hold, “If I misplace my card, I can use my app to put it on hold.” The video ends with the thought, “We give you and your money respect, not surprises. And at Santander Bank, respect adds up.”



  • TV & Cinema: Hose

    Category: Finance
    Media: Film
    Brand: Santander
    Agency: Arnold
    Geo: United States
    Advertising Agency: Arnold Worldwide, Boston, USA
    Executive Creative Director / Copywriter: James Bray
    Creative Director, Art: Sam Mullins
    Creative Director, Copy: Justin Galvin
    Producers: Spring Clinton, Emily LaPierre
    Planner: Ed Castillo
    Marketing: Angela Herbst, Erika Gammon, Stephanie Barnes
    Project Management: Tina Meade, Priscilla Patterson
    Business Affairs: Jamie-Lyn Gaudet
    Production Company: Hungry Man
    Executive Producers: Kevin Byrne, Mino Jarjoura, Dan Duffy, Jacki Sextro, Caleb Dewart
    Line Producer: Caleb Dewart
    First Assistant Director: Mike Curtis
    DoP: John Lindley
    Editorial Company: Hutch Co.
    Executive Producer: Jane Hutchins
    Editor: Jim Hutchins
    VFX: Brickyard
    Executive Producer: Amy Appleton
    Flame Artist: Dave Waller
    Color Company: CO3
    Colorist: Tim Massig
    Music: Bacon Street Studios
    Mix / Sound Design: Mike Secher / Soundtrack
    Published/Released: January 2018
    Synopsis:
    One of a bank’s most important responsibilities is to protect and grow its customers’ assets. The trust between a customer and a bank is paramount, and demonstrating a respectful approach is key to building the relationship. Boston-based Santander, one of the country’s top retail and commercial banks with over 650 branches principally located in the Northeast and serving more than 2.1 million customers, is bringing respect back to banking and reaffirming its customer promise in a new integrated campaign, “Respect Adds Up.” Santander understands that respect is critical in every customer interaction, product, and service, and the campaign depicts just that.




  • TV & Cinema: Lamb Side Story

    Media: TV
    Category: Food
    Client: Meat & Livestock Australia (MLA)
    Agency: The Monkeys
    Production: Plaza Films
    Country: Australia
    Director: Paul Middleditch
    Head of Planning: michael hogg
    Senior Producer: Jade Rodriguez
    Group Content Director: Humphrey Taylor
    Senior Content Director: Katie Wong-Hee
    Content Manager: Victoria Zourkas
    Content Executive: Will Davies
    Executive Creative Director: Scott Nowell
    Creative Director: Scott Dettrick
    Art Director: SCOTT ZULIANI
    Copywriter: Tim Pashen
    Producer: Alex Taussig
    Executive Producer: Peter Masterton
    Planner: Charlotte Marshall
    DoP: Daniel Ardilli
    Post production: The Editors
    Editor: Stu Morley
    Composer: Gerard Fitzgerald
    Music Director: Ramesh Sathiah
    Music + Sound Production: Song Zu
    Head of Production: Thea Carone
    Media Agency - UM
    Group Director - Mike Worden
    Senior Client Director - Tim Rogers
    Sydney Strategy Director - Chris Colter
    Strategy Director - David Toussaint
    Partnerships Manager: - Jessica Ngu
    Partnership Trader - Emily Ng
    PR Agency - One Green Bean
    MLA - Chief Marketing Office - Lisa Sharp
    MLA - Brand Manager - Anna Sharp
    MLA - Acting Brand Manager- Rebecca Tearle
    MLA - Assistant Brand Manager - Jasmin Koch
    Published: January 2018
    Synopsis:
    The highly anticipated summer campaign for Australian Lamb via The Monkeys has launched - singing, dancing and celebrating the one thing all Australians can agree on this summer, lamb.
    Building on the long established We Love Our Lamb brand position of unity and inclusivity, the integrated campaign inspires people to put aside their differences, big and small, and come together over lamb.



  • TV & Cinema: Christmas

    Alternative title: Christmas With Bosch
    Category: Automotive
    Media: Film
    Brand: Bosch
    Agency: A-Tono
    Geo: Italy
    Advertising Agency: A-Tono, Milan, Italy
    Creative Director: Sergio Müller
    Art Director: Stefano Gianuario
    Copywriter: Sara Nissoli
    Production: Fabbrica Virali / Haibun
    Director: Davide Raia
    Focus Puller / Assistant Camera: Giovanni Freri
    Drone Operator: Veronica Pachulsky
    Executive Producer: Pierandrea Saviolo
    Production Manager: Rocco Marcandino
    Published: January 2018
    Synopsis:
    How can we show the spirit of the "Do it yourself" line, during the holidays? We applied emotional value to the products that are considered useful, but not engaging, during the celebrations. Powerful products we can achieve fantastic, sometimes magical, things with. Involving the Bosch team, we shed light on what the festive holidays are like for Rosa, an elderly lady, who lives alone in an abandoned village in the mountains above Lake Como.



  • TV & Cinema: An AA-meeting For Children

    Category: Public Interest, NGO
    Media: Film
    Brand: Alcohol & Society (alkohol & samfund)
    Agency: Hjaltelin Stahl
    Geo: Denmark
    Advertising Agency: Hjaltelin Stahl, Copenhagen, Denmark
    Production Company: Pegasus
    Creative: Nicolai Dimon
    Creative / Stills: Søren Grønborg
    Strategy: Thomas Martin Hansen, Sarah Backer
    Media: Jens Philip Therp
    Director: Claus Collstrup
    Producer: Sophie Kampmann
    Published: January 2018
    Synopsis:
    In the small country of Denmark, 12 000 children grow up with a parent who drinks too much. It's an uncomfortable world to navigate in, and an everyday filled with shame, tears, anger and broken promises.
    That’s why you don’t have to be an alcoholic to have an alcohol problem.
    To showcase this insight, Alcohol and Society made a film with a simple idea: an AA-meeting for children.



  • TV & Cinema: The Fish

    Category: Gaming
    Media: Film
    Brand: Pictionary
    Agency: LOLA
    Geo: Spain
    Advertising Agency: LOLA MullenLowe, Madrid, Spain
    Creative Directors: Pancho Cassis, Tomas Ostiglia, Juan Sevilla
    Art Directors: Saulo Rocha/a>, Nico Ordozgoiti
    Production Company: Blur Productions
    Director: Lorena Medina
    Published: January 2018
    Synopsis:
    Pictionary celebrates the joy of getting it wrong in this charming film to combat the post-holiday blues. In the spot, we follow a regular guy, going about his day with a strange accessory, but then he surprises us with a delightful twist.



  • TV & Cinema: Cars of The Future

    Client: Volvo Car Belux
    Client contacts: Balder D’hondt (Marketing director), Thomas Makay (Event manager)
    Agency: FamousGrey
    Executive CD: Peter Ampe
    Creative Team: Tom Berth – Geert de Rocker
    Experience Director : Maarten Breda
    Project leader: Vincent Vandam
    Brand Leader: Kris Vanderhulst
    Business Director: Carola Michiels
    PR Manager: Sophie Engels
    Copywriters : Joanna Ryckaert– Charles-Eli Chauvaux
    Design: Jonathan Lichtfeld
    Development: Arno van Biesen – Jérémy Dillenbourg – Gwen Vanhee – Wim Vanhenden
    Digital Production companies : Craftworkz
    Digital Producer : Bart De Bock
    Operations Director : Bart Segers
    Production Director : Emily Rammant,
    RTV Producer: Loes Fierens - Marlies Neudt
    Production: FamousGrey Productions
    Producer: Frederik Zaman
    Director: Khaël Touag
    DOP: Piet Deyaert
    Art Director/Decor: Stan Maertens
    Sound: Eli Sundermann
    Editing & grading. : Sven Vanhee – Jelle Stroo
    DTP : Emilie Boudart – Franco Scaramuzza
    Published: January 2018
    Synopsis:
    By using the car’s technology, we turned the Volvo S90 into the new HR manager of Volvo. Tapping into its speech technology, pedestrian recognition, car connect system and other technological elements of the car, we can let the car do its own job interview. This way, we are not only showing off the intelligence of the car, but also reassuring Volvo will be recruiting the best profiles, as we let an expert – the car itself – recruit.
    The HR90 is officially introduced on the Brussels Motor Show, and will then continue its tour of job expos, schools and Volvo dealerships in search of new recruits.



  • TV & Cinema: Born To Party

    Category: Media
    Media: Film
    Brand: The Scottish Sun
    Geo: United States
    Advertising Agency: Pulse Creative, New York, USA
    Creatives: Rob Welch, John Aitchinson
    Producer: Betsy Kelly
    Account Director: Georgie Ambrose
    Account Manager: Tania Roy
    Production Company: Pebble Studios
    Director: Nick Jones
    Editor / VFX Supervisor: / VFX Shoot Supervisor: Nick Temple
    Executive Producer: Mark Witherow
    Producer: Sarah Inge
    DoP: Ben Butler
    Post-production / VFX / VFX Team: Pebble Studios
    Producers: Sarah Inge, Corrina Stegner
    Grade: Nadeem Ali
    Music Composer: Toby Anderson
    Sound Studio: Clearcut Sound Studios
    Published: January 2018



  • TV & Cinema: The Snowball

    Alternative Title: The Unicorn
    Media: Web Film
    Category: Restaurants & fast food
    Client: Subway
    Agency: McCann Stockholm
    Production: Adamsky
    Country: Sweden
    Director: Alexander Crispin
    Creative: Ludvig Ehrenstråhle
    Creative: Arvid Nittve
    Creative: Chris Lawrence
    Producer: Ellen Finn
    Executive Producer: Maja Hjelmberg
    Account Director: Petra Käll
    DoP: Johan Holmqvist
    Published: January 2018
    Synopsis:
    To promote their Taco Sub, Subway Norway launched a set of innovative pre-roll ads for Youtube. The Taco sub is, thanks to the cracking noise from its nacho chips, the first sub ever to make an distinguished sound when you eat it. To better illustrate The Sub with a Sound, McCann Stockholm built a narrative around "Good cracks vs. Bad cracks". Good crack obviously being the nacho chips.
    The three adverts, specially tailored for Youtube's True View format, all show a Taco Sub and another item getting crushed by the sheer power of the hydraulic press. The result? Not only does Subway tap in to the Youtube phenomena of hydraulic presses; they also show that, when done right, even a film about a sandwich can become truly unskippable.



  • TV & Cinema: Breastless Mannequin

    Alternative titles: Manequim sem seio
    Media: Web Film
    Category: Health & safety
    URL: http://www.hemat.com.br/manequ...Client: Hemat - Institute of hematology - Laboratory medicine
    Agency: Fun Comunicação
    Production: Gomma Filmes
    Country: Brazil
    Digital Director: André Soler
    Creative Director: Nilton Pires e Ricardo Tokoi
    Copywriter: Rafael Aguiston e Nilton Pires
    Art Director: Luis Masarin e Ricardo Tokoi
    Production company: Gomma Filmes
    Production Co. Art Director: Danilo Anoni
    Assistant Producer: Edi Leandro e Matheus Giuliano
    Photographer Producer: Heverton Pedro
    Planning Director: Alexandre Ribeiro
    Client: Hemat
    Account Executive: Ricardo Ortega
    Synopsis:
    With the idea of supporting the Pink October Movement, Hemat Laboratory, located in Sao Jose do Rio Preto, Sao Paulo state, has promoted an intervention in the showcase of a store at the most traditional shopping mall of the city, where a breastless mannequin was placed as if it had a mastectomy, common surgery among women who are undergoing breast cancer treatment. The removal of a breast and the construction of a scar were made by plastic artist Daniela Pinheiro, who embraced the project due to the importance of the cause.



  • TV & Cinema: Father & Son

    Alternative title: Vater & Sohn feiern das OTTO Shopping Festival
    Media: Web Film
    Category: Retail services
    Client: Otto
    Client: Hp
    Agency: Jung von Matt / SAGA
    Production: Bigfish Berlin
    Country: Germany
    Director: Sven Werner Combé
    Executive Creative Director: Dörte Spengler-Ahrens
    Creative Director: Florentin Hock
    Copywriter: Markus Ölschläger
    Art Director: Tim Brack
    Executive Producer: Oliver Marquardt
    DoP: Björn Knechtel
    Agency Producer: Dennis Wendt
    Managing Director: Stephan Giest
    Account manager: Jonathan Kierig
    Published: January 2018
    Synopsis:
    The digital campaign "OTTO Shopping Festival" starts in 2018 with the online film "Father & Son", in which the Australian YouTube creators Russ and Toby Bauer play the main role, who already caused a sensation with their funny "When Mom's not home" videos on the net. As in the original clips, father and son play a crazy piece of music - this time on a freshly delivered notebook from OTTO.



  • TV & Cinema: Keep Exploring

    Media: TV
    Country: United Kingdom
    Brand: Blue Dragon Sweet Chilli Sauce
    Client: Paul Watmore, Marketing Director and Emma Eggleton, Brand Controller Blue Dragon
    Advertising Agency: Recipe, London, Uk
    Creative Director: Dan Jacobs
    Creatives: Steven Andrews and Ross Nance
    Planning Director: Dom Roe
    Business Director: Toby Evea
    Agency Producer: James Mc Colgan
    Media Agency: Wavemaker
    Production Company: Burger Films
    Director: Alexander Haines
    DOP: David Foulkes
    Producer: Al Traquair
    Post-Production: Ten Three and The Kitchen
    Offline Editor: Alex Abdolwahabi
    Grade: Cheat
    Audio Post-Production: Offset
    Published: January 2018
    Synopsis:
    Under the new creative platform, ‘Keep Exploring’, developed by the agency last year, the campaign takes us on a culinary adventure through modern Asia. Guided every step of the way by the Blue Dragon brand, it explores the sights, sounds, smells and, most importantly of all, tastes of a convivial & contemporary Asia before using the products to relive and recreate them at home.



  • TV & Cinema: The Rubik's Cube

    Media: Web Film
    Category: Restaurants & fast food
    Client: Subway
    Agency: McCann Stockholm
    Production: Adamsky
    Country: Sweden
    Director: Alexander Crispin
    Creative: Ludvig Ehrenstråhle
    Creative: Arvid Nittve
    Creative: Chris Lawrence
    Producer: Ellen Finn
    Executive Producer: Maja Hjelmberg
    Account Director: Petra Käll
    DoP: Johan Holmqvist
    Published: January 2018
    Synopsis:
    To promote their Taco Sub, Subway Norway launched a set of innovative pre-roll ads for Youtube. The Taco sub is, thanks to the cracking noise from its nacho chips, the first sub ever to make an distinguished sound when you eat it. To better illustrate The Sub with a Sound, McCann Stockholm built a narrative around "Good cracks vs. Bad cracks". Good crack obviously being the nacho chips.
    The three adverts, specially tailored for Youtube's True View format, all show a Taco Sub and another item getting crushed by the sheer power of the hydraulic press. The result? Not only does Subway tap in to the Youtube phenomena of hydraulic presses; they also show that, when done right, even a film about a sandwich can become truly unskippable.



  • TV & Cinema: Emily

    Advertised Brand: Lexus
    Agency: Team One, Los Angeles, CA (USA)
    Associate Business Affairs Manager: Nadia Estrada
    Producer: Reilly Park
    Chief Creative Officer: Chris Graves
    Group Creative Director: Craig Crawford
    Creative Director/Art Director: Javier Torok
    Creative Director/Copywriter: Geoff Vreeken
    Program Manager: Jamie Lau
    Account Management Supervisor: Ben Allison
    Product Insights Manager: Jeremy Wenniger
    Executive Producer: Sam Walsh
    Production Company: Radical Media
    Executive Producer: Donna Portaro
    Director: Sebastian Strasser
    Producer: Jeremy Barrett
    DP: Roman Vasyanov
    Production Designer: Jahmin Assa
    Editorial Company: Union Editorial
    Executive Producer: Joe Ross
    Editor: Jim Haygood
    Assistant Editor: Jed Stuber
    President/Managing Director: Michael Raimondi
    Post-Production Company: MPC
    VFX Supervisor: Rob Hodgson
    Flame Lead: Rob Ufer
    Post Producer: Susie Cobb
    Telecine: MPC
    Colorist: Mark Gethin
    Post Production Company (Pack Shot): Arsenal Creative
    CG Lead: Brian Lee
    CG Artist: Julian Fitzpatrick
    Producer: Esther Minitser
    Executive Producer: Cortney Haile
    Music Co: Human
    Composer: Matthew O’Malley
    Creative Director: Gareth Williams
    Executive Producer: Jonathan Sanford
    Voiceover: Minnie Driver
    Recording Studio: Juice Studios
    Sound Mixer – Bruce Beuckert
    Published: January 2018
    Synopsis:
    To debut the all-new, three-row 2018 RX 350L and RX 450hL, Lexus has developed a comprehensive marketing campaign to highlight the luxury, flexibility and logistical liberty that three rows can offer. Available in six- or seven-passenger capabilities, the new RXL models will retain the RX’s sophisticated features while providing more room for the unexpected.
    “The RX has been the top-selling luxury utility vehicle in the U.S. for more than 20 years, and we’re excited to offer the next evolution of the iconic crossover in two flavors: the V-6 RX 350L and the powerful multistage RX 450h,” said Cooper Ericksen, Lexus vice president of marketing. “The RXL marketing campaign is targeted at the modern family who values the luxury of space and flexibility for whatever life throws at them.”
    “Emily,” a general market TV spot, will begin airing nationally on Jan. 13, 2018. The spot highlights the versatility of three rows by featuring a young family in everyday scenarios, such as driving their little girl and several friends to a birthday party, loading in all the dogs and having enough room for all their daughter’s stuffed animals. Emily, who appears to be an only child, explains that while her parents think their new car is for them – it’s actually hers. At the end of the spot, the pregnant mom asks her daughter if she’s excited for her new baby sister to come home, and the camera catches an astonished look on Emily’s face with the voiceover explaining that you can experience space for the unexpected with the new Lexus RXL.



  • TV & Cinema: The Smartphone

    Media: Web Film
    Category: Restaurants & fast food
    Client: Subway
    Agency: McCann Stockholm
    Production: Adamsky
    Country: Sweden
    Director: Alexander Crispin
    Creative: Ludvig Ehrenstråhle
    Creative: Arvid Nittve
    Creative: Chris Lawrence
    Producer: Ellen Finn
    Executive Producer: Maja Hjelmberg
    Account Director: Petra Käll
    DoP: Johan Holmqvist
    Published: January 2018
    Synopsis:
    To promote their Taco Sub, Subway Norway launched a set of innovative pre-roll ads for Youtube. The Taco sub is, thanks to the cracking noise from its nacho chips, the first sub ever to make an distinguished sound when you eat it. To better illustrate The Sub with a Sound, McCann Stockholm built a narrative around "Good cracks vs. Bad cracks". Good crack obviously being the nacho chips.
    The three adverts, specially tailored for Youtube's True View format, all show a Taco Sub and another item getting crushed by the sheer power of the hydraulic press. The result? Not only does Subway tap in to the Youtube phenomena of hydraulic presses; they also show that, when done right, even a film about a sandwich can become truly unskippable.



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quados15 dec 16 : 23:05
Sziasztok! Van a 2017-es karácsonyi kinder reklám, abba milyen zenét játszanak furulyán vagy milyen hangszeren??? Válaszokat előre is köszönöm!

lugoka dec 06 : 22:47
Hello. A galaxy tv-n a műsorajánló zenéjét tudja valaki, hogy micsoda? Addig jutottam, hogy talán: "This is how we do it" a refrénje. Nem beszélek angolul és többet nem tudok kihámozni. Mindenhol csak valami néger csávót meg katy perryt találok, de az nem az. Hátha tudja valaki. Köszi

Anomalia okt 14 : 20:07
Hello mindenki!Nem tudjátok vèletlenül a viasat6 Bates motel reklámja alatt futó zene cimèt.köszi .

war96ma sze 25 : 14:10
Üdv mindenki! Nem tudja valaki hogy melyik az az autó reklám amikor az apuka viszi a lányát az esküvőre. Terepes úton mennek. És a csajszi lelép a kocsival miután az apja kiszáll. Mostanság szokott menni ez a reklám.

rikka61 sze 18 : 22:06
Szeretném megtudni hogy a Story5 csatornán jelenleg a műsorajánló alatt milyen zene megy?

LalaRéka júl 25 : 00:06
NAGYON keresek egy zenét és szerintem soha nem is fogom megtalálni azt hiszem hogy a HBO go reklámjában hallotam legalábbis valamelyik HBO reklámban volt amit nem találok se a YouTube-on se sehol, itt sem, ilyen nagyon motiváló hangulata van, van benne szöveg de föleg a hangszeres része fogja meg az embert nem lehet annyira új zene, igen tudom így tenyleg soha nem találom meg #dontjudgeme megpróbáltam

gyjudit jún 27 : 22:59
Nem tudok rájönni mi a Staropramen sör reklámzenéje. Tud valaki esetleg segiteni? Köszi

thalia80 jún 26 : 21:38
Sziasztok!Az AMC saját gyártású sorozatok műsor ajánlója alatt menő zenét keresem,de sehol nem találom,még a reklám videót sem.Egy kellemes zongora dallam szól alatta...Nagyon megköszönném ha valaki tudna segíteni

stigmata jún 05 : 20:32
Sziasztok! Egy festékcsalád új reklámzenéjét hallottam ma, de sajnos a márkát nem értettem, így nem is tudok sajna rákeresni. Ha valaki tudná melyik reklám az vagy legalább azt, hogy melyik festékmárkának a zenéje, megköszönném. Zongora alapon megy a zene.

Zoli97 jún 04 : 23:37
Sziasztok! Srgítséget kérnék. Melyik azaz autós reklám amikor egy anyuka megy a gyerekér kocsival és a gyereknél egy gitár van. ?


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Music: Ruel - Don't Tell Me iTunes download Amazon download Get Beats Studio3 Wireless at Amazon A ...


Közzététel dátuma: Thu, 21 Dec 2017 10:43:12 +0000
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»CANCIÓN DEL ANUNCIO DE H&M OTOÑO 2016
CANCIÓN: She's A Lady.ARTISTA: LION BABE. Puedes adquirirla en:Google PlayPortada del disco.
»CANCIÓN DEL ANUNCIO DE RENAULT TALISMAN.
CANCIÓN: Revolution.ARTISTA: Elias. Puedes adquirirla en:iTunesGoogle PlaySoundcloudPortada del dis ...
»CANCIÓN DEL ANUNCIO DEL CORTE INGLÉS: OTOÑO VEN 2016
CANCIÓN: ComeARTISTA: Jain Puedes adquirirla en:iTunesGoogle Play Portada del disco.
»CANCIÓN DEL ANUNCIO COLONIA AGUA FRESCA DE ROSAS ·ADOLFO DOMÍNGUEZ· 2016
CANCIÓN: The Gohost Who WalksARTISTA: Karen Elson. Puedes adquirirla en:iTunesGoogle PlayPortada de ...
»CANCIÓN DEL ANUNCIO DE SAMSUNG UNPACKING ·GALAXY GEAR VR
CANCIÓN: Figure It OutARTISTA: Royal Blood PUEDES ADQUIRIRLA EN:GOOGLE PLAYITUNESPORTADA DEL DISCO:
»CANCIÓN DEL ANUNCIO DE EKO NESTLE · Bebamos de la naturaleza·
3CANCIÓN: Eres túARTISTA: Carla Morrison Puedes conseguirla en:Google PlayPortada del disco:
»CANCIÓN DEL ANUNCIO DE H&M CON KATY PERRY
CANCIÓN: Kate PerryARTISTA: Every Day is a Holiday
»CANCIÓN DEL ANUNCIO DE DESIGUAL CHRISTMAS
CANCIÓN: The WildlifeARTISTA: Outasight Puedes adquirirlo en:iTunesPortada del disco:
»CANCIÓN DEL ANUNCIO DE SPRINFIELD ·KEEP IN TOUCH·
CANCIÓN: San FranciscoARTISTA: beGun Puedes adquirirlo en:iTunesGoogle PlayPortada del disco
»CANCIÓN DEL ANUNCIO DE DESIGUAL
CANCIÓN: Hundred MilesARTISTA: Yall


Közzététel dátuma: Wed, 20 Dec 2017 15:16:08 +0000
Részletek

»TV & Cinema: Kyle Rudolph vs. A Tire
Client: Land O’Lakes Client location: Minneapolis, MN Topic: Land O’Lakes Farm Bowl ...
»TV & Cinema: This Call’s For You
Client: Northwestern Mutual Agency: GSD&M Chief Creative Officer: Jay Russell Group ...
»TV & Cinema: Jason Brown vs. A Drone
Client: Land O’Lakes Client location: Minneapolis, MN Topic: Land O’Lakes Farm Bowl ...
»TV & Cinema: Ocean
Client: Northwestern Mutual Agency: GSD&M Chief Creative Officer: Jay Russell Group ...
»TV & Cinema: Trophy
Client: Land O’Lakes Client location: Minneapolis, MN Topic: Land O’Lakes Farm Bowl ...
»TV & Cinema: Fish Out of Water
Client: Northwestern Mutual Agency: GSD&M Chief Creative Officer: Jay Russell Group ...
»TV & Cinema: Backyard Bliss
Client: Northwestern Mutual Agency: GSD&M Chief Creative Officer: Jay Russell Group ...
»TV & Cinema: The Open Letter
Category: Hospitality, Tourism Media: Digital Brand: Visit Stockholm Agency: Volontaire Geo: Sweden ...
»TV & Cinema: Mona Lisa
Category: Financial Services Client: Capital One Brand: Capital One Media: TV Country: USA Advertisi ...
»TV & Cinema: Louisiana
Category: Financial Services Client: Capital One Brand: Capital One Media: TV Country: USA Advertisi ...


Közzététel dátuma: nem ismert
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